Maybe you know someone in film school, or just some guy who really likes going to the movies and cutting YouTube mashups? Here’s what you can buy them — and also what you shouldn’t:
A few months back, I wrote about Turbo, a USC graduate thesis shot for under $US100K on a Red One camera that used some well-designed effects to capture one potential future of gaming. Now it’s online for free.
Magazines are going down the crapper as a medium, but the crew at Alexx Henry photography envisions a world where OLED and eInk screens put motion into mags and makes them cutting-edge.
Last year, Esquire shot Megan Fox in 3K resolution using the Red One. This year, they’re going to 5K (yes, 5K, meaning you can see her pores) for the Sexiest Woman Alive, using Red’s Epic. Here’s a (low res) taste.
We’ve seen the Red One blur the line between DSLRs and HD cameras with Esquire’s video-still Megan Fox cover, but this video shows how a photography studio that shoots movie posters has used it to blend photography and video even more.
Last week we told you that Esquire had shot their June magazine cover in video. This week, we see that Megan Fox photo in all its…wait, there is no way “Fox” is her real name.
If the fusion of video cameras and dSLRs hadn’t blurred enough before, Esquire shot their June issue cover of Megan Fox in video—a purported first in the magazine world.
newVideoPlayer("/canon5dredone_gizmodo.flv", 475, 286,""); I don’t understand Norwegian, so the only info I heard was that the Red One has a greater dynamic range than the 5D Mark II. But the pictures and video tell the story vividly, wordlessly.
