There are two brand new cameras that Fujifilm has just announced, and I want both of them. They couldn't be more different — one compact with a fixed lens, and one massive with an interchangeable lens mount — but I kinda want them both. Can I have them both, please?
Drones are kinda loud and annoying, but they're also a potential threat to public safety or privacy if they're snooping into restricted airspace. ASX-listed Department 13 has built a system it says can monitor Wi-Fi and GPS tracking signals to detect nearby drone activity, then jump in on top of those broadcasts to take over the flying gadget and redirect it to
Leica has a new camera in its inimitable M-Series line-up. You'd be hard-pressed to tell it from the M before it, or the M before that, but that's exactly the point. The $10,000 Leica M10 makes some big improvements and major modernisations, but they're all hidden away inside a body that could well be built fifty years ago.
There's a bit of crossover when it comes to the lexicons of cameras and weapons (aiming, shooting, etc.) so it's no surprise that someone would be inspired to find a way to combine them. Photographer and artist Jason Siegel decided his take would be a literal fusion of familiar camera components to create fake guns, explosive and other wartime paraphernalia as part of his "Shoot Portraits, Not People" exhibit.
We're all disappearing under a virtual avalanche of photos and videos, and no one's really sure about how to organise it all — though Apple and Google keep trying. Android and iOS both have smart photo services built in nowadays, but what happens when you want to jump from one to the other? Here's what you need to know.
Last year, one of the coolest things we saw at CES was a mock-up of Kodak's digital Super 8 camera that recorded to actual Super 8 film. We were supposed to get more details in autumn, and the camera was supposed to come out in spring. And then spring came and went and we heard nothing.
Unless you've dropped tens of thousands of dollars on a Hollywood-calibre drone that can hoist full-sized cameras, the carrying capacity of your hobby quadcopter is probably limited. So instead of designing a thermal imaging accessory that works alongside a GoPro, FLIR just created its own action camera that can also capture Predator-like thermal imagery from the skies.
The new year is likely to be a tough one for NASA. There's a decidedly anti-science administration coming into power. Trump has already vowed to cut climate change research and it's unclear if he even knows that we've been to the moon. For now, we can look back at some of the most beautiful photos of 2016 from NASA.
Whether a beginner, a serious aviation enthusiast, or just a fan of gadgets, many of you will have received drones as Christmas gifts. Unmanned aerial vehicles (UAVs) have surged in popularity and affordability in recent years, and there’s no doubt that recreational drone use is on the rise as a result.
Photographer Joshua Nowicki captured photographs of the St. Joseph lighthouse at the mouth of the St. Joseph River in Michigan and it's beautifully (and completely) covered in ice. And because the thick icicles that accentuate the lighthouse are angled back from the strong winds, it looks like an alien sculpture that's frozen in time.
After successfully launching a GoPro through the air using a bow and arrow, YouTube's Sam and Niko have taken that experiment to new heights, and new speeds, by instead blasting the tiny action camera out of a compressed air cannon.
Here's a neat behind the scenes video showcasing how trials cyclist Danny MacAskill pulled off a wild stunt: riding down a very short ramp so he could jump off right next to someone's house on a cliff, and front flip straight into the damn ocean. It's fun to see how he tries to figure out where the best place to jump off of is, because a lot of the planning process is just him throwing rocks off the edge to see where they end up falling.
Using stock images and Johannes Vermeer's 1664 painting The Concert as a base, photographer Erik Almas admirably recreated the lost masterpiece in Photoshop. Heck, it might be able to fool you into thinking it were the real thing... if you were standing and squinting from very far away. Still. It's pretty neat to see Almas' workflow and how creative he gets in trying to mimic the original.
Video: Drop a couple of M&M's in a petri dish filled with water, point a Sony A7R M2 camera at the experiment capturing a 4K timelapse, and what you get is some remarkably beautiful footage of the colourful candy coating melting away. Without the "M" stamped on each candy, you would almost assume this was footage from by a telescope peering deep into space.