The new Terminator film has found its latest killer robot. Zachary Quinto has hopes for at least one more Star Trek film in the Kelvin timeline. A fallen Legend could make their return in Legends of Tomorrow's future. Plus, hilariously cryptic teases for Westworld's return, and what's to come on The Flash. Spoilers, assemble!

Though he might not be appearing in quite the way you might hope.

The finale of Star Trek: Discovery gave us a short glimpse at the most legendary ship in the entire Starfleet: the Enterprise, ten years before the original Star Trek television show. Befitting the different visual style of Discovery, the ship looks a little different than we remembered, but that apparently wasn't just for creative reasons.

Honestly, considering the... staffing changes the good ship Discovery went through over the course of the first season, the crew could do with all the hands they could get. But Notaro will be serving the Federation elsewhere in season two.

The first big piece of Star Trek: Discovery season two info is here in the form of a classic Trek character. Anson Mount, who recently played Black Bolt on Marvel's Inhumans, has been cast as Captain Christopher Pike for the show.

Another Ernest Cline novel is coming to the big screen. Lynda Carter is still hoping for a cameo in Wonder Woman 2. The Russo Brothers (through Thanos) demand your silence for Avengers: Infinity War. Legends of Tomorrow promotes another familiar face to a regular role in season four. Plus, what's to come on Black Lightning. Spoilers, away!

John Cena wants the Duke Nukem movie to do justice to the franchise. Robert Downey Jr reveals the expansive voice cast of The Voyage of Dr Dolittle. Star Trek: Discovery producer Aaron Harberts teases the themes of the show's second season. Plus, Teen Groot gets all teenager-y in new Avengers: Infinity War footage. Spoilers now!

Steven Spielberg says a Tintin sequel is in the works. Jeff Goldblum talks about returning as Ian Malcolm in Jurassic World: The Fallen Kingdom. Jed Whedon teases how Infinity War opens up a new world for Agents of SHIELD. Plus, get a look at Riverdale's musical episode, and Mark Hamill wants to be a spooky force ghost. Spoilers!

Oh no, Star Trek. Oh no.

One of the most noted, and most controversial, changes of Star Trek: Discovery was its shift away from the series' traditional monster/science-problem/God-starship of the week setup to a storytelling structure that, if not as tightly plotted as many prestige shows, was still pretty strongly serialised.

The first season of Star Trek: Discovery, whether you loved it or hated it, added new imagery to the visual language of the series: a new ship, new uniforms, and even new glimpses of old favourites.

Going into Star Trek: Discovery, fans were told to expect something new. It would be dark. It would be modern. It would push the boundaries of where Star Trek had boldly gone before. Now that we're at the end of Discovery's first season, we know it did take a few steps in those directions - but every time it did, it retreated back the minute things got too uncomfortable.

Discovery really wanted to end this season on a bunch of big emotional notes, reaffirming the ideals of the Federation as something to strive for, and end with a shot for fans to cheer for. It did not succeed.

Cadet Sylvia Tilly, the youngest member of the USS Discovery's crew, is wide-eyed, brainy, chatty and intensely chipper. When the character (played by Mary Wiseman) first showed up in episode three, she made me cringe. But over the course of the season, she has completely won me over.

That was the theme of Discovery's latest episode: Michael Burnham's struggle between wrong, emotional (her words) choices and right, principled ones is also the struggle of the United Federation of Planets. Her giving into temptation and selfishly rescuing Emperor Georgiou is much the same temptation faced by the Federation in this episode. But will the Federation make as bad a call as Burnham did?

The thing about Discovery is that it's good in everything but the writing. So this episode's extended action sequences and few long expanses of dialogue served to make "What's Past Is Prologue" one of the most watchable episodes to date.

It's very rare to see contemporary versions of Star Wars and Star Trek make similar creative choices. After all, part of what's fuelled the age-old Wars v. Trek debate are the series' wildly different approaches to scifi. But with The Last Jedi in theatres and Discovery airing online, both franchises seem to be tackling something fascinating, questioning institutions in each world that fans have held dear for decades.

Thought it was tough to beat Daenerys Targaryen when it came to absurdly lengthy formal titles? Well, her most Imperial Majesty, Mother of the Fatherland, Overlord of Vulcan, Dominus of Kronos, Regina Andor, Emperor Philippa Georgiou Augustus Iaponius Centarius on Star Trek: Discovery just might. But this being Star Trek, there are reasons for every one of those fancy names.

Star Trek's Mirror Universe is one of - hell, the - most famous parallel universes in science fiction history. In fact, it almost has a timeline of its own as rich as the prime reality of Trek itself. So if you've been confused by all the Mirror-verse happenings in Discovery - and why wouldn't you be? - we're here to help put it all together.