Giant Circular Panorama Recreates The Hell Of Fire-Bombed Dresden

Giant Circular Panorama Recreates The Hell Of Fire-Bombed Dresden

Seventy years ago, in one of the most controversial actions of World War Two, the British Royal Air Force (RAF) and the United States Army Air Forces (USAAF) dropped circa 4000 tons of high-explosive bombs and incendiary devices on Dresden. Only months before the end of World War II, in four fierce raids between 13 and 15 February the allied bombers obliterated over 1600 acres of the historic city centre, and the bombing and the resulting firestorm killed at least 25,000 German people.

If someone were to look out at the burned Baroque city in the days after the devastating attacks, from the Town Hall tower — seriously damaged but still standing among the ruins of the downtown — they would have been shocked by the horrific view. Now, 70 years after the bombing, visitors of Panometer gasometer in Dresden can watch and remember what happened in the hell of war as artist Yadegar Asisi has created a 1:1 scale, 100m wide and 30m high circular panorama that depicts the smouldering ruins of Dresden in the immediate aftermath of the Allied firebombing.

The goal of the huge 360-degree artwork is more than remembering the horrors of Dresden as the artist explains:

The project broaches the issues of tragedy and hope in Europe. It does not merely show the tragedy of Dresden, but draws attention to the interactions of European war-torn history. By 1945, not only had a large number of European cities been destroyed, such as Rotterdam, Coventry, Stalingrad and Warsaw, but also numerous German cities. […] The panoramic experience is rounded off with the accompanying music by film composer Eric Babak and sound effects reflecting the era and the setting in the scene.

Not seeing however knowing how many citizens of the Elbe metropolis died in the raging fires this apocalyptic piece of art seems even more appalling, as the following photos partially show.

Pictures: Matthias Rietschel/Getty Images

Photos: Tom Schulze © asisi