Eyes On With The 270-Degree Future Of Cinema

Eyes On With The 270-Degree Future Of Cinema

A 270-degree, wraparound triple-screen theatre system has just begun rolling out to very select theatres nationwide — only five, in fact — with hopes of delivering an immersive movie-going experience that succeeds where 3D has so miserably failed. I got a sneak peek at the new technology recently and it’s, um, really something alright. I’m just not really sure what that is.

The Barco Escape system, designed by Red Camera co-founder Ted Schilowitz, takes the standard cinematic experience and triples it, angling two more screens off the sides of the primary screen and projecting additional scenery onto them with supplemental projectors.

“It’s a very interesting time for us to look at what cinema-making can be and to look at the other choices are available,” Schilowitz told Gizmodo.

Eyes On With The 270-Degree Future Of Cinema

For the demo, Schilowitz screened a short selection of content — from rave footage to movie trailers to the new 20th Century Fox flick, Maze Runner, which dropped last Friday. The current experience is far from perfect. The gap between screens led to thick black bars segmenting the action, which is OK if you’re showing three separate images but really distracting if you’re doing a single wraparound shot. And the additional screen space didn’t often add much visual information, just felt a lot like watching a very large 21:9 monitor.

The most frustrating part was that the quality and appearance of the onscreen action changes considerably depending on where you sit, not unlike the minuscule sweet spot in 3D theatres. You’ve got to sit dead center to get the full effect. The side screens always seemed slightly out of focus, which is cool when you’re focusing only on the center screen — it resembles normal peripheral vision — but is disconcerting when when looking directly at the side screens.

When I asked about whether theatres would require added retrofitting to accommodate the system, Schilowitz replied, “Now, in each theatre, there’s slightly different geometries — different sizes and different ways to make this work…In some theatres that side screens are slightly bigger or smaller but eventually we’ll get to a sort of universal fit. And a generation or two from now, it [the screen array] will likely be a big seamless curve.”

The system is in development, mind you, which is why the experience was rather underwhelming. Still, Barco Escape holds a great deal of promise. Currently, the screens have been installed in five theatres across the country with plans to expand worldwide over the next nine months, though Schilowitz expects the format to really take off in the next 18 to 24 months, once the technology further matures.

Should they get the screen setup straightened out — perhaps using a single, angular screen rather than three individual ones or maybe a fully wrapped wall like the Circle-Vision theatres at Disney Land — and get more content creators onboard with the system, this could easily give 3D a run for its money. It may even lure the American public away from their home entertainment systems and back into theatres.