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Dungeons & Dragons is, intrinsically, a very physical experience: You're surrounded by pens, stacks of paper and rulebooks; rolling dice; talking to your friends. But Wizards of the Coast is planning to help modernise the way fans play the game with the introduction of Beyond, a new app that wants to help balance the physical experience of role-playing D&D with a decluttered, all-digital support system.

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Baby Driver is out in cinemas right now, so we sat down with our favourite Edgar Wright while he was in Sydney to talk about the music-fueled car chase spectacular heist film that was ten years in the making.

Is Baby dressed as Han Solo? We asked him that, too.

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At the end of May, I got on a school bus just as the sun was setting and was driven into the woods 20 minutes south of one of Austin's Alamo Drafthouse theatres. At a campsite tucked away off a walking trail, I saw one of the year's most disturbing films projected onto an outdoor movie screen. The next day, I asked director Trey Shults where he found the inspiration for the harrowing It Comes at Night, which hits cinemas today.

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Most times when we see the personification of death in fiction, it's presented as a cold or grim persona. Not so for Anubis on the TV show adaptation of American Gods. Here, the Egyptian god of the afterlife is stoic but unexpectedly warm; he has a job to do, one that fills most people with dread, but he doesn't seem like that bad a guy. And that's largely due to the performance of actor Chris Obi.

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At first glance, Baby Driver doesn't look like it uses genre conventions in the way that Edgar Wright's other works have. While you can easily see the homages to zombie horror and paranoid sci-fi in Shaun of the Dead and World's End, the fusion at the heart of Baby Driver's DNA is initially more elusive to parse. But once you put sunglasses on and deconstruct it, it's right there: The new movie is a musical where car chases are the "songs". And it rocks.

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One of the best things about the first season of American Gods was how its thematic ambitions came to life inside the cast's stellar performances. Things often got weird and elliptical on the adaptation of Neil Gaiman's 2001 novel, but you couldn't stop watching because of the excellent acting on display. Here's how some of the show's players brought their characters to life.

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For nearly three years Michelle Gomez has delighted and horrified Doctor Who fans as Missy, the latest maniacal incarnation of the Master. But ahead of her return to the series in this weekend's episode, we sat down to speak with her about how it might herald the final bow for her time on the show.

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Syfy's 12 Monkeys is in an… interesting situation. The show has already been renewed for a fourth and final season, but season three is going to air in its entirety over the course of this weekend in the US. In Australia, Syfy will air the complete third season in a single day marathon on May 27. We talked to star Amanda Schull, who plays Cassandra Railey, about this unusual release and what's next, now that her character is pregnant with the messiah of her greatest enemies.

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Nostalgia is a huge part of the charm in Marvel's Guardians of the Galaxy. There's the classic pop music, of course, but also the reverence Chris Pratt's character Peter Quill, a.k.a. Star-Lord, has for the pop culture of his childhood, things the character loved before he was snatched off Earth. This posed a problem in the sequel, which Pratt really wanted to make way, way worse.

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It's been 16 long years since Neil Gaiman wrote American Gods, a tale of the clash between the beliefs of the old world and the obsessions new. Near the end of a very long press day for Starz's TV adaptation of the book, Gaiman said that, as much as the cast and crew couldn't wait for everyone to see the show, at least they were no longer waiting for anyone to see it.