Doctor Who rarely does big character arcs. By its very nature it's a transitory program: Every week a new adventure, every few years a new Doctor and new companions. That means that a character, especially the Doctor, is established quickly and stays like that till they leave. But this weekend's season 10 finale put a wonderful bookend on an evolution that's been in the works for all of Peter Capaldi's time on the show.
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When asked about the scariest Doctor Who villains, fan have all sorts of responses. The Daleks are the go-to, but there's new-era villains like the Weeping Angels, or everything from Autons to Zygons. But this week's Doctor Who was a chilling reminder that there's actually only one true answer: The Cybermen.
Predicting the future is near impossible -- but that doesn‘t stop us all from having a red hot go. Human beings have been predicting the future since the beginning of history and the results range from the hilarious to the downright uncanny.
One thing all future predictions have in common: they‘re rooted in our current understanding of how the world works. It‘s difficult to escape that mindset. We have no idea how technology will evolve, so our ideas are connected to the technology of today.
This week's Doctor Who delivered a classic, but very familiar tale of two hostile sides coming together to face a greater threat than each other. But while most of it was a story we've seen many times before, it stood out as a huge, satisfying step on Bill Potts' ongoing journey as the Doctor's student.
After the middling Monk trilogy, Doctor Who fell back on a well-trodden house style this weekend for "The Empress of Mars", a Mark Gatiss-penned romp. But even though this is a classic storytelling style for Who, and even though it had some interesting ideas tucked inside it, it never really strived to be anything more than average.
This week's Doctor Who saw the Monk trilogy come to its end, as team TARDIS found themselves battling through a dystopian Britain literally being brainwashed by fake news. It's a timely take on our modern world, but "The Lie of the Land" disappointingly threw out its most interesting premise by committing the exact same sin.
There are a lot of comparisons to be drawn between this weekend's "The Pyramid at the End of the World" and its preceding episode, "Extremis" -- mainly in that they're both setup for a story that's really yet to shift into high gear. But, they're also both examples of how Doctor Who can transform a humdrum episode into something marvellous in its final moments.
"Extremis" was the most unique episode of Doctor Who we've seen so far in season 10 -- but only because, unlike the rest of the season, it felt like an episode we've seen many times before from head writer Steven Moffat. For better or worse, it was a reminder of the style that will be forever linked with his time running the show.
Doctor Who's 10th season is only four episodes in, but I can't remember the last time the show hit the ground running as well it has this season. We've had great chemistry between Peter Capaldi and Pearl Mackie, great fun, and now in this weekend's episode, "Knock Knock", we got the rest of the perfect Who formula: A whole load of scares and a lot of heartbreak.
The general arc of a companion's introduction on Doctor Who is pretty much the same each time. They have their "bigger on the inside" moment, they do a bit of space-time travel, and then they learn that running around in a Police Box spaceship can be quite grim. With newcomer Bill, Doctor Who is back in that swing -- but it hasn't done it this well in a very long time.
Doctor Who made its welcome (and long overdue) return this past weekend, and it was all decidedly new: A new companion, new tone, and in some ways, a new sensibility from showrunner Steven Moffat, as compared to his past few seasons on the series. Still, for all its freshness, season 10's opening episode couldn't help but return to explore some emotional drama that Doctor Who is more than familiar with.