Some of Easter Island’s moai statues are adorned with large red hats, the heaviest of which weigh as much as 13 tonnes. Archaeologists have to struggled to understand how these hats were positioned atop the iconic heads, but a new explanation may finally hold the answer – and it’s surprisingly simple.
The statue platform with standing moai on the south coast of Rapa Nui. One of the moai is adorned with a red scoria pukao. Image: Sean Hixon/Penn State
Located more than 3200km from Chile’s west coast, Easter Island is one of the world’s most remote inhabited islands. It’s just 24km long and 12.2km wide, but the island was home to a thriving Polynesian population starting around the 13th century AD. Also known as Rapa Nui, Easter Island is famous for its moai – humanoid statues measuring 10m tall and weighing upwards of 81 tonnes.
These statues were made from volcanic rock sourced from a nearby quarry. To position them in place, the ancient Polynesians rocked the large figures back and forth in a walking motion, similar to how we might move a heavy refrigerator today.
Some of these statues were fitted with large hats, called pukao, made from red scoria, a material that was sourced from a different quarry located about 13km away. These rocks were likely carved into a cylindrical shape at the quarry, and then rolled to the statue site for further processing.
But how did the Polynesian builders place these 12-tonne hats on the 10m-tall statues? New research published this week in the Journal of Archaeological Science suggests ropes were used to roll the hats up a ramp, where they were then positioned into place (see diagram below). But unlike previous attempts to answer this riddle, the authors of the new study used actual archaeological evidence from the island to make their case.
“This is the first time anyone has systematically explored the evidence for how the giant hats were placed on the top of the heads of the massive statues of Easter Island,” Carl Lipo, a co-author of the new study and an anthropologist at Binghamton University, said in a statement.
“Our work combines cutting-edge 3D modelling with artifact analysis and models drawn from physics to arrive at the best answer.”
Previously, some archaeologists argued that the pukao were attached to the heads before they were lifted upright into place. But remnants of broken and abandoned statues found on the island suggest this wasn’t the case, and that the hats were attached to the tops of standing statues. The researchers say the Polynesians accomplished this using ropes made from plant fibres, a long ramp, and a technique known as parbuckling.
Image: S. W. Hixon et al., 2018
Parbuckling is a relatively straightforward method that’s often used to right a ship that has capsized (fun fact: Parbuckling was used to salvage the Costa Concordia cruise ship). The parbuckle was also used in pre-industrial Europe for transporting barrels up and down inclines.
In the case of Easter Island, a rope was wrapped around the cylinder-shaped pukao, and workers pulled the rope, gradually rolling the object to the top of the ramp (a good demonstration with a large log can be seen here). Remarkably, the researchers calculated that only 10 to 15 workers would be needed to perform the task.
Once at the top of the ramp, the hats were modified further and placed in the right orientation; shards of red scoria found at the base of a statue support this assertion. Importantly, none of the 50 pukao analysed by the researchers exhibited scratches at the base, suggesting they weren’t dragged into place. Rather, the hats were tipped up onto the heads of the statues. The ramps were then disassembled and transformed into the wings of the platform that surrounds the statues to this very day.
Researchers examine a pukao near the statue platform. Image: Sean Hixon/Penn State
The new research shows that construction of the statues wasn’t labour or resource intensive, and that a centralised political authority wasn’t required for the project. As this study shows, sometimes the simplest solutions are best.