The Hollywood Drama Around Annihilation Shows Why We Can’t Have Smart Things

The Hollywood Drama Around Annihilation Shows Why We Can’t Have Smart Things

Annihilation looks like it has a lot going for it: Killer art direction and special effects; acclaimed writer-director Alex Garland (Ex Machina); and an all-star cast that includes Natalie Portman, Tessa Thompson and Gina Rodriguez. But the power players behind the hotly anticipated sci-fi movie are still battling over what kind of release it should get.

Image: Paramount

An article in The Hollywood Reporter says that Paramount will still be distributing Annihilation in the United States, Canada and China. But the studio is making a deal with Netflix that would see the internet company handling international distribution elsewhere. That deal also means Annihilation will hit the streaming service 17 days after its February 2018 theatrical debut.

It’s an unorthodox and fragmented release for a movie that a lot of people are looking forward to. Why have things shaken out this way? The Hollywood Reporter piece lays out a conflict between producers Scott Rudin and David Ellison, which flared up after a test screening this winter:

The movie, which wrapped shooting July 2016, had a poor test screening this summer that sources say was the root of the conflict. After the screening, Ellison became concerned that the movie was “too intellectual” and “too complicated” and wanted changes made to make it appeal to a wider audience. They included making Portman’s character more sympathetic as well as tweaking the ending.

Rudin, who executive produced Machina, sided with Garland, defending the movie and refused to take notes. Rudin was able to hold his line, according to a source, because he has final cut.

It’s true that the movie business is facing challenges like never before, but if any genre of film should be able to get away with being complicated and intellectual, it’s science fiction. While it sounds like Annihilation will be making it out without damaging changes, it also sounds like this might be one of those instances where you’ll need to make sure you see it on a big screen right away.

We contacted Paramount for comment but had not heard back at time of writing.

[THR]


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