I Let A Weird Man Rub Me For 10 Minutes, In The Name Of Journalism

I Let A Weird Man Rub Me For 10 Minutes, In The Name Of Journalism

The Interactive Telecommunications Program at NYU’s Tisch School of the Arts is the birthplace of some incredibly weird and wonderful creative technology. This year we’ve already seen a descriptive camera that spits out words rather than images. Today, at the ITP 2012 Spring Show, that was joined by a couple or other memorable projects.

Enhanced Visualization (EV) Therapy

Of all the projects on display, Jason Stephans’s Kinect massage parlour was both the strangest and the most relaxing. For 10 minutes I lay on a massage table, my face hovering over a tablet screen with real-time video of my massage streaming from the Kinect camera directly overhead.

Clients watch themselves as the therapist creates, projects, and guides interactive visualizations and augmented reality objects onto the client’s body. A gesture based and wireless touchscreen interface untethers the therapist from a separate control mechanism, allowing the therapist to remain available to administer therapeutic bodywork. The end result is a multi-sensory multi-media healing experience.

Plinko Poetry

Of all the projects that I hadn’t seen before today, Inessah Selditz’s Plinko Poetry was my absolute favourite:

The interface of Plinko Poetry uses Processing and Python to display alternate scrolling lines of current tweets from the New York Times and Fox News. When a user drops a chip, it randomly hits pegs on the way down. The word under each peg that is hit is highlighted, with the untouched pegs automatically darkened. Plinko Poetry uses openFrameworks camera colour tracking to determine which pegs have been encountered. When the chip comes to a stop, the user is left with a trail of blackout poetry which is then live tweeted to @PlinkoPoetry.

Financial Landscapes — Dow Jones, 2000-2012

Genevieve Hoffman’s 3D-printed tiles are a physical representation of the financial data — fluctuation in price and volume of shares — since 2000, for each of several major corporations.

Each brand logo is visible from above and stretch and skewed based on the topography of its tile.

Images: Inessah Selditz