The results were surprising. Both cameras were given to famed headshot photographer Peter Hurley, who was already a fan of the 22MP 48-bit Hasselblad. But he was surprised to find that when photos from both the 14MP 24-bit Red Epic and the Hasselblad were printed and compared, Hurley could hardly tell which photo came from which camera. There were subtle differences in depth of field and colour fidelity that let his trained eye eventually tell them apart, but for professional use there was no discernible compromise in quality when shooting with the $US80,000 Red Epic. Just a serious hole in the budget afterwards.