Jackson is currently hard at work shooting The Hobbit in 3D. But instead of using the bulky 3D rigs commonly associated with 3D movie films. Jackson is using RED EPIC cameras and mirrors to keep the cameras mobile. More »
RED Epic cameras are the bees’ knees in camera tech, but their data throughput makes using typical storage options seem like filling a water balloon with a fire hose. Vincent Laforet gives us a look at how his team handles the deluge. More »
It’s not pretty like this post-production HDR video from last week, but isn’t it exciting to see what RED’s Epic is capable of when trained at an average Las Vegas nightlife scene? More »
Last year, Esquire shot Megan Fox in 3K resolution using the Red One. This year, they’re going to 5K (yes, 5K, meaning you can see her pores) for the Sexiest Woman Alive, using Red’s Epic. Here’s a (low res) taste. More »
