Good. Bad. These are relative ideals that depend almost entirely on which end of the gun is facing us. A quartet of French art students — Michaël Balthazart, Clément Granjon, Quentin Sauvinet, and Raphaël Gaudin — collaborated at ArtFX 2012 to explore this concept in Voile Noir, which follows a pair of pilots as they attempt to deliver a bomb that will end the war.
The result — from the modelling to the pacing to the whiplash-inducing plot twist — is simply spectacular.