The trick behind the cam-less captures is actually pretty simple—photographic paper is coated with silver salts, which cast an image onto the light-sensitive surface. But that’s just the start. Each artist has his or her own variations, some of which are incredibly complex—incorporating water, broken glass, and sometimes their own bodies into the photographic process.
Susan Derges, for example, dunks her photographic sheets in the river and uses the moon and a flashlight to expose the image. The moon! It’s almost enough to make your cam sound like cheating, eh? And the results are terrific.
If that impresses you, then prepare for Floris Neususs, who uses entire human bodies at once. Depending on the model’s position, the image cast varies from clear to cloudy, and creates a remarkable effect.
The rest of the low tech approaches are equally impressive, and entirely unique. No disrespect to the digital cams we love so much, but there are some things you can only do the old fashioned way. [Digital Journal of Photography]
lunchbox99
Sunday, December 5, 2010 at 11:22 PMSorry to point out the obvious but “powerful chemicals” on “photographic paper” was the way photography was done for the past 100 years or so until digital cameras appeared in the past decade or two.
http://en.wikipedia.org/wiki/Photographic_film
People have been playing with elaborate developing techniques since photography began. People did this stuff in high school photography classes at least until the mid-late 90s.
Mr Biggles
Monday, December 6, 2010 at 12:25 PMWas that before or after the internet?