Audio Engineer Claims that Metallica’s Latest Album Sounds Better on Guitar Hero III
Mastering Engineer Ian Shepherd is among those who believe that the distortion Metallica fans have been complaining about since the release of Death Magnetic is not present in the Guitar Hero III version. As he notes: “In comparison, the released CD version is – to coin a technical phrase – smashed to f**k.” So who or what is to blame here? Shepherd believes that the album was the latest victim of the so-called “loudness wars” going on in the industry right now. That is to say, engineers are over-editing and sacrificing sound quality to achieve a higher level of louditude. The GHII version strips away the clipping and focuses more on dynamic range.
As a result of all this, the filesharing community is already hard at work breaking down the GH3 version to isolate the tracks. There is also a petition floating around arguing for a re-mix or remaster of the album—but they claim that the brick-wall limiting and compression was done before mastering, so they feel that it is basically a loss at this point. It’s a shame too because the music itself has been well-received. [Mastering Media via Music Radar via Wired and Petition]
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This is hilarious – as a studio engineer I’ve seen over-compressed tracks for years… hip hop is the worst culprit – especially the likes of 50 Cent or G Unit stuff. One of the best producers Timbaland actually loathes this type of producing. It tires the ears out and makes you get sick of a song very quickly. Timeless songs like those on Nirvana’s Nevermind have a great dynamic range and if you want them to be loud just turn them up!
Commercial radio went through the “loudness” fad years ago and discovered that its a big turn-off for listeners. Too much compression and limiting is tiring to listen to. Music recorded like this Metallicrap stuff will also tax the power supply on smaller stereos, creating distorted playback. They call them selves “Engineers” in the music business but they’re just panel jockeys. This type of bad practise is rife in the recording business now and is the result of record execs, with no understanding, demanding more “loudness” and incompetent panel jockeys who don’t understand the principals of good recording/mixing/mastering. I work in commercial radio and we have seen a big increase in the “loudness” of CD’s. When it goes through another layer of processing prior to broadcast, it ends up sounding utterly awful. We pulled a track last month because we couldn’t get an uncompressed version. How is this good for the artist??????
I have an idea, don’t buy anymore Metallica.